Type as argument: hierarchy, rhythm and the details nobody notices until they are wrong.
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Devon Clarke spent a decade in editorial design before moving to product. This course brings that discipline to interfaces: choosing and pairing typefaces, building a scale, setting text for screens, and the optical adjustments that separate competent from good.
3 modules · 11 lessons · 5h 3m
What you are actually choosing between.
Devon spent a decade in editorial design before moving to brand, and it shows in how he treats typography — as argument rather than decoration. He teaches visual craft to people who did not go to art school and are tired of being told they need to. His critique sessions are recorded live and unedited.
1,518 reviews
The instructor is honest about what does not work, which is rarer than it should be. There is a whole lesson on a failed approach and why it failed. I learned more from that than from most successful case studies.
Watched it over three weeks of commutes. The transcripts are accurate enough that I could read on the train and watch the demos later. That is a small thing that made the whole course possible for me.
Genuinely good, with one caveat: the first module moves slowly if you already know the basics. Skip to module two if you do — the rest is excellent and the case studies are specific rather than generic.
Charts that change a decision, not charts that decorate a deck.
Grace Tanaka · Devon Clarke
44.7K
Measure, then fix — in that order, every time.
Daniel Roth · Ben Kowalski
47.1K
The governance, not just the components.
Leila Haddad · Daniel Roth
31.7K
